This iconic mural on the outside of Sac State’s Lassen Hall, formerly the library, is not the first rendition of it! La Cultura was first painted in 1970 to celebrate the growing Mexican-American population at Sac State, but it was embroiled in controversy only 6 years later. Here is a timeline of the creation, destruction, controversy, and rebirth of the iconic mural celebrating Chicano/Mexican-American heritage at Sac State.

Creation and Meaning

La Cultura mural on Lassen Hall, formerly the Library circa 1970 (source The Sacramento Union June 22, 1978 issue)
  • October 24, 1968: Former Sac State student Ed Rivera and the Mexican American Youth Association (MAYA) ask Sac State to paint a mural on the Library to celebrate and promote inclusion of the growing Chicano student and city population. Rivera and 50 members of the Chicano community begin working on the mural a year later.
  • April 10, 1970: The State Hornet reports the meaning of the mural to the campus. It is a dedication to the Chicano Community and Mexican-American’s pre-Hispanic Indigenous heritage.
    • The left side depicts the Aztec gods Coatique and Huiztilapothtic searching for the prophesied eagle with a serpent in its mouth on a cactus. This is the legendary founding of Mexico City.
    • The frog legs in the middle symbolize the Chicano people always moving forward.
    • The serpant in the middle represents wisdom.
    • The right side of the mural is the eagle with a serpent in its mouth on the cactus.
    • In the right corner “El Respecto Al Derecho Ajeno Es La Paz” is written, or “Respect for the right of others is peace.”
  • June 9, 1970: La Cultura is formally accepted as a gift to the university in a ceremony with artist Ed Rivera, Concilio President Lorenzo Patino, City Councilman Manuel Ferrales, and acting Sac State President Otto Butz.

Destruction and Controversy

Ed Rivera, Chicano muralist who painted La Cultura stands in front of the Library after the mural’s removal circa 1976 (source The Sacramento Union June 22, 1978 issue)
  • June 14, 1976: Sac State decides to remodel the old library building and later removes La Cultura as a part of a “campus beautification” project. Parts of the wooden panels are used to construct new library shelves
  • August 31, 1976: The State Hornet reports that Painter Ed Rivera and students are outraged and feel disgraced by the mural’s removal.
  • September 7, 1976: Representatives from the Chicano Faculty and Staff Association condemn the removal of the mural and call it “insidious” and an insult to the Mexican American community in a memo to President Bond.
  • September 13, 1976: President Bond disregards the Chicano Faculty and Staff in his response, stating that it is university policy that all murals are temporary and can be removed at any time.
  • September 24, 1976: Ed Rivera sends a letter to President Bond explaining that the mural was officially funded by the Sacramento Concilio and was a project between Sac State and the Chicano community of Sacramento.
  • September 29, 1976: President Bond formally apologizes to the Concilio, Ed Rivera, and the Chicano community in a letter to the Concilio. He states that no administration members at Sac State realized that the mural was a part of a community partnership.

Rebirth

The painting of the new La Cultura mural, circa 1978 (source University Photograph Collection)
  • November 22, 1976: The Concilio accepts President Bond’s apology, but states that the community is still deeply disturbed over the removal of the mural and that “it was a historical milestone” between the Chicano Community and Sac State. Concilio Director Henry Lopez demands;
    • 1. $800 of retribution to the Concilio to cover the costs of the mural
    • 2. Funding for the construction of a new Chicano mural
    • 3. Written communication from the university about the policies concerning this new mural
    • 4. A public apology through the official Sac State press
  • 1978: Rivera repaints La Cultura, with Aztec King Montezuma on the left side now and the Mayan Calender as part of the middle panel. Otherwise, the mural mirrors the original design.
  • 1998-1999: Rivera returns to touch up the mural and signs his name. A ceremony is held in his honor at Sac State on October 19, 1999.
  • Present Day: La Cultura remains a permanent fixture of Lassen Hall and a beautiful symbol of Mexican-American history and importance at Sac State and beyond.
(image taken by author)
(image taken by author)
(image taken by author)
(image taken by author)

References

  1. Bond, James G. “Letter from President James G. Bond to Mr. Enrique Lopez.” September 29, 1976.” CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  2. Bond, James G. “Memo from President James G. Bond to Chicano Faculty and Staff Association.” September 13, 1976.CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  3. Flyer. “Edward Rivera dedication/ reception.” 1999. Gerth Special Collections and University Archives. California State University, Sacramento.
  4. “Former cop touches up Sac State Mural.” The Sacramento Bee, June 10, 1998. Gerth Special Collections and University Archives. California State University, Sacramento.
  5. Hernandez, Isabel and Robert Pitti. “Memo from Representatives, Chicano Faculty and Staff Association to President James G. Bond.” September 7, 1976. CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  6. Informational Sheet. “Dean Ballesteros suggested…” June 14, 1976. CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  7. Johnson, Ann. “Mural gone…artist is mad.” The State Hornet, August 31, 1976. California Revealed. https://californiarevealed.org/islandora/object/cavpp%3A84571.
  8. Johnson, Charles. “Rivera’s Frog…A symbol of persistance.” The Sacramento Bee, February 20, 1977. CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  9. Lopez, Henry H. “Letter from Henry H. Lopez to President James Bond.” November 22, 1976. CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  10. “Mural on East Side of Student Services Center.” University Photograph Collection. Gerth Special Collections and University Archives. California State University, Sacramento.
  11. “New Mural at Sac State.” The Sacramento Union, June 9, 1970. CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  12. Report. “I. Mural Chronology.” October 24, 1968. Gerth Special Collections and University Archives. California State University, Sacramento.
  13. Rivera, Ed. “Letter from Ed Rivera to Mr. James G. Bond.” September 24, 1976. CSUS Campus Dormitories Records. Record Group 41. Gerth Special Collections and University Archives. California State University, Sacramento.
  14. Warren, Bob. “Concilio mural to adorn SCC library building.” The State Hornet, April 10, 1970. California Revealed. https://californiarevealed.org/islandora/object/cavpp%3A84571.

Related Posts

6 thoughts on ““La Cultura” Reborn!

  1. I absolutely loved the information that your timeline provided based on the mural. I find interest in learning about our university’s history, and even more so about our Chicano history. Being able to learn about the creation, destruction, and re-creation of La Cultura is amazing! It is definitely not a timeline I would have been able to guess by simply walking past Lassen every day.

  2. As a Mexican-American, it is great to see some representation of my culture on campus! Learning more about the “La Cultura” painting was interesting as I never realized it had so much history and context behind it. Hearing about its removal for “beautification” was a little disheartening as it sounds very offensive to an image of someone’s culture. Although I am glad that the painting has come back, hopefully, it is here to stay!

  3. As someone who enjoys learning about the history of art this was a joy to read about! I never knew that such a mural had so much cultural significance and it was really interesting to learn about how the newest version of La Cultura was created! It was really interesting to see the differences in the murals as well, it definitely seemed that the newer one has a lot more detail and more to it than what I can see from the original in the picture (maybe it’s because of the money and supplies he got as an apology for destroying the original work in the first place?). Thanks for writing this, it really shows that there is a lot of history in something as beautiful as a mural a student might pass everyday!

  4. I rarely hear about Chicano history, and to have such an iconic building on campus is awesome. I personally never knew anything about the art, which I admire every day, or how it was distoyed and rebuilt.

  5. I have always passed by and admired this mural, but I never knew the very interesting history behind it. This mural represents the Mexican-American community very well and is an example of representation. Knowing the history of this mural, and it’s controversy makes me appreciate this mural more than ever before, it is important to never forget the past and remember the important achievements of the Mexican-American community at Sac state.

  6. I enjoyed reading about the history behind the La Cultura mural on Lassen Hall. The timeline explained the creation and meaning behind each section. I especially liked the serpent that symbolizes wisdom. The destruction removed the mural and later rebirthed it in 1978. It explains how the community needed the history of the university and the Chicano Community.

Comments are closed.